Відео

This could be another extra way to do it Cmaj7-Gm9 C7#9-Fmaj7 Em7 A7/C# - Dm9 G13sus4 Eadd9/G# - Am11

That F/G reminds me of a Daft Punk song that rode the sus sound really hard.

Another top video from the Man😎☮️

add a #9 to that C7!

"Humanly" is redundant - or at least until Tesla starts renting Optimus in 2025

Wow ! Everything seems so clear for me now ! There are so many possibilities ! With roots rising, descending, thirds on basses, inversions ! This video is amazing ! Really well explained. Thanx to you Jeff ! :>)))

First oh my god schizophrenia

YOU are AH-MAZING! So glad this popped up in my feed.

Excellent lesson. Subscribed and purchased the Chord Cookbook. It is EXACTLY what I've been looking for. Thank you so, so much! 🙏🏼

Question - when you sing numbers for the notes, do you share the same number for altered notes? So if I'm singing a #5, do I just say "5" ? Great video ... thanks!

But did you get to bang the dancers?

I don't get the logic behind the G13b9#11

For the first one, I don't think it's best to analyze the chords as such. It's very simple once you realize he's just sliding a triad down the fretboard (to use a guitar analogy) until it locks in on the F. Every teenage guitar player does this.

love this video! Especially the last Lof-Fi tape part ,Genius Jeff thanks for the knowledge

Greatest lessons, quick, deep, interesting. Thank You. What Rhodes Sound do you play in the viedeo? Michael.

Ain’t no sharp 5; it’s the flat 13 for heavens sake

Love this video! No BS, no fluff - straight to the point!

1:46 I need you to quantify how you can confidently say "the key is F Major". Considering none of the other chords are diatonic to that key, it just seems like a forced assertion. Just because some publisher's sheet music uses that key signature doesn't make it an objective truth. 4:47 I wouldn't necessarily equate "non-functioning secondary dominants" with "functioning secondary dominants". To me, it's just a VI7 (or VIalt) chord, no slash needed since it isn't resolving anywhere.

5:31 - Wise men sayyyy

Nailed the format thanks!

Great lesson. Thanks. Absolutely info-packed.

hello world musician friends, I want to ask about playing music on a cruise ship, what should I do as a beginner for these gigs?

It's really not that uncommon especially in film scoring, but also in classical music.

what is the app you're using to record your solos

That Emaj13#11 is the IV of B major. I think this song is actually in G#minor, in which case all the chords are diatonic. Or else it's in B major and we never land on the I.

Thank you for this explanation

Hey everyone! I'm a cuban flutist and musician. Check out my flute cover of Chick Corea - Spain. Subscribe to my channel to support me to create more content! Hope I can empower more people to play music! ua-cam.com/video/VJMhY4PTkxU/v-deo.html

BLABLABLABLABLABLABLABLA

What's the VST sound you were using in this video?

Nice video Jeff!❤‍🩹 btw is it just me or are those keys out of tune in Feel Like Makin' Love?😅😅

Thanks Jeff

The Beatles' "Here, there and everywhere" has a similar key change.

Sorry Jeff i'm unsubscribing. Your time wasting puts me in a bad mood - every single time. I was so happy 12 minutes ago now i'm full of hate. Very poor teaching. Shameful.

Jeff mate. I'm paused at 44 seconds chewing my wrists. I don't want all these details my friend. 44 seconds is a quarter of a Tom and Jerry cartoon - it adds up Jeff. PLEASE. Think of all the cartoons you are keeping me from. Please Jeff .... PLEEEEEEZE.

This is great, but barely scratches the surface? Anyone have any other youtube videos to recommend on this topic of soloing over changes? Please link in a reply!

Awesome. Love the way you add chords randomly to the melody. Wow.

You’re simply the best !!!!!!!

I got that, Fm/Ab G7 Gbmaj7 F, I will transfer to Abmaj7 G7 Gbmaj7 F7. That's more reasonable for guitarists.

how guitar play this stuff

that chris potter recording of ATTYA is insane, shoutout to whoever recorded that

Gorgeous progressions, Jeff. It'll take a lifetime for me to learn them all! Some of what you've covered here reminds me of a video of Bonnie Raitt & Nora Jones doing a soulful version of Tennessee Waltz. (<ua-cam.com/video/rlguwRxicf8/v-deo.html>) I don't know much about Jones, but particularly the intro she plays sounds a lot like some of your ideas. My ear has never been good enough to figure out what she's playing, but maybe if I work on your suggestions, I might.

hairdo upgrade at 1:32

Milles merci !!!

I would have liked it if you were at a piano doing some demonstrations instead of just talking. Thank you.

That's nice, yet I made a commitment never to do anyone's work and repeat it, when it comes to liks,,. Is good to learn , I just made that commitment,,.ty very much for your teaching gift

Hi! At 2:20 is description as F maj7 as a result oftriton substitute - but there is C maj 9 13 ? Thx.

These 46 chords do sound great together. Can’t believe I overlooked this simple profession 😂

This is brilliant, thanks so much! It never dawned on me to actually give licks names, but of course you're right-it's a great way to internalise them. Even though this is a short video, there's more than enough food for thought (and practice) here. (Kind of a Musical Lembas.) I can't wait to also dive into Parts II and III, cheers!

beautiful chords❤

I had a full blown "THATS WHAT IVE BEEN SAYIN'!!!" moment on the last segment re: ii to I without the V7